60th Berlinale, Thu 18.02.
actor Burghart Klaussner, the pastor in the white band
The White Ribbon has on the reception of the Hesse state representation the reader price of the film magazine epd get film and me is where the appetite for Hessian food gone - who has just thought up blood sausage, meat soup and hand cheese? The names sound already disgusting ... At least I've finally managed to see the movie and in the presence of some of the child stars and teacher Christian Friedel. What can I say? Haneke's new film was to have said so much that it has to rumgesprochen to Hollywood: a black and white work that due to the sensitive atmosphere accurately staged before the war writing film history. I was not blown away, but yet very touching.
Other films seen: L'Arbre et la
ForĂȘt - luckily finds the slaying massive use of Wagner-diegetic music is a reason, otherwise this dialogue-heavy film to simply annoying.
En Ganske snill man - for Todlachen sad, typical Scandinavian cinema: cold, depressing humor with hard-nosed, grumpy characters, which often flits a smile on the lips, but if so, then you are more touched if the hidden sensitivity.
Sunnyland - to run away. I am also half an hour. Split Screen meaningless, redundant pictures, yawning boring voice-over. Such a bad documentary I have not seen for a long time.
Black Bus - too long, unfortunately. The approach to show, by gender separate buses (front little man behind female) in today's Israel is certainly of interest. Unfortunately, it does not go beyond this statement, the character can not develop further, the story stagnates. What freezes are the beautiful images of two abandoned women who fight for their freedom.
The Illusionist - the second time I enjoy a beautifully animated film by Sylvain Chomet drawn animation. However, he does by far not the narrative and dramatic Density of its predecessor ( Les Triplets de Belleville ) on.
0 comments:
Post a Comment